WRITING writings; carefully wording one’s words; creating creative stories — it’s all about judiciously avoiding the irreverent epizeuxis, pleonasm and, God(dess) forbid, semantic satiation. And doing it without losing the occasional congenial, sometimes gratifying occurrence of alliterative consonance or onomatopoeia. Rat-tat-tat went the machine gun. Quack said the duck. Forsooth mouthed the itinerant forsoother.

In truth, as an author, I do enjoy employing semantic variety — a sor...