BEING both a movie actor and director, as well as a movie affectionado, I'm well aware of the part that a good soundtrack plays in any and every movie, right down to the ability of "the right" music being able to, almost on its own, invoke viewer emotional attachment and garner views/sales. But I've often wondered exactly how much music also masks the acting and story. So, when world class author and scriptwriter, William Maltese, sent me a script for WINNOWING, I determined to make it an exp...

OKAY, let’s start at the beginning. “Noir” (masculine) or “Noire” (feminine) simply means “black.” According to a popular online thesaurus, it can be used in a variety of shades of meaning such as dark, absence of light or illumination, obscure, cynical, fatalistic, edgy, bleak, to which I would add in contemporary terms minimalistic. According to Filmlifestyle.com, “During the 40s and 50s, film noir was at its height. The world had just come out of a brutal war and there was ...

Although he wouldn't completely understand it until much later, it began well before he was born a pudgy-looking, seven and a half pound naked ball of flesh, fat, gristle and bone, screaming its head off. And why shouldn't he have protested? Every trusted thing he'd known had been ripped from him: the constant warmth; the gentle, protective floating feeling; the ruddy aura that had always surrounded and protected him, the ever-present thump-hiss, thump-hiss, thump-hiss in the background that,...

YESTERDAY I posted about a new film that Setsuko Tsuchiya and I will be appearing in entitled MOCOS. One of three reasons why this debut film by Elias Perez’ 2-Liter’s Shady Films Productions was that it was an experimental film. In this day when businesses are struggling to return to the old days, Perez has taken a new “distance” approach to filming, which I find intriguing. It is innovative filming venues like this one that will, I believe, end up charting the future of the industry...

SETSUKO Tsuchiya and I recently auditioned for a new film, MOCOS (pronounced “locos”) a horror film by Elias Perez’ 2-Liters Shady Films. I was pleased to be selected for the role of Dr. Gregory Grant, MD, a public health specialist, and Setsuko for the role of Ms. Akari Koko-Grant, wife of Dr. Grant and reporter for the Pacific World News.

What initially caught my interest was that this would be an experimental “distance” filming project, whereby each actor/actress would DIY film ...